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Musings: January 15, 2026
The first musings of the year! This post I talk about my new creative direction, plans for the year, and the future of the blog.
The Pillar of Strength © Jamiya Wilson Studio, 2025
One of my favorites images from last year with fantastic model and friend Emma Helena.
Images like this are why I now consider myself solely a portrait and fine art nude photographer.
NEW BEGINNINGS
Well hello 2026.
Another year begins which opens opportunities for fresh starts, new beginnings, and new relationships. 2025 was a very interesting year for me. It started with a bang, lulled a bit in the summer, then ramped up again in the fall. It was fraught with emotional moments, sad goodbyes, tear jerking happy moments, and countless surprises. I’ve taken time away from posting not only due to my work schedule but I’ve also been dealing with some personal issues I’ll detail in a future post. Still processing things at the moment, so bear with me. I’m human.
As the first musings post of the year, this one kicks us off with announcements and details about the overall direction for the year. Not only are things changing rapidly in my own life, but all over the world. How do we as artists navigate an ever changing(and ever shrinking) landscape? I hope to have more answers to that question as the year progresses, so stay tuned.
For now, enjoy the first musings of the year.
RECENT PHOTOGRAPHS
Model: Layana Devis @layanadevis
Studio: L’Atelier & Beyond Studio @latelierandbeyond_studio
Location: Paris, France
ALL IMAGES SHOT ON THE SONY A7RV + SONY FE 28-70MM F/2 GM
Just one photo this week. I’m still working on images from this set, but this is from my first shoot with the stunning Lana aka Layana Devis. She’s quickly becoming one of my favorite models to work with whenever I’m in Paris. Beautiful features, a friendly demeanor, and always up for shooting, she has been a pleasure to work with.
This image was captured on the Sony 28-70 f/2 GM lens. A lens which I’ve pondered selling from time to time, but I find it irreplaceable for my portrait work. I covered an event at the end of 2025 and didn’t find the focal range as pleasant when compared to the 24-70. Having the 24 on the wide end is still extremely useful so I own both. 28-70 for portrait work, 24-70 for events and video. The 28-70 is my go to for portraits since it essentially replaces a bunch of primes I’d use such as the 35mm or 50mm options. Love the output from this lens.
GEAR TALK
The Sony FX3 Is Still The Camera To Beat
The Sony FX3. Been around 5 years and still #1.
The Sony FX3 is still one of, if not the best, video cameras on the market.
I’m currently working on a documentary project(details coming soon) which was greenlit in July 2025. At the time, I didn’t own a dedicated video camera. Already being in the Sony ecosystem, the FX3 was the logical choice for me. However, I did compare it to other available options and honestly none of them appealed to me as much. Panasonic has their S1II’s, Canon has the R5 Mark II and the recent C50, and Nikon came out with their ZR at the end of 2025. All great options but lacking in some area for me. With Panasonic, form factor and company dependability. I shot Panasonic for years and the lack of innovation and/or haste in getting out new products(especially lenses) left me with a sour taste in my mouth. So Panasonic is a no go. Further, I’ve also have been studying the image from Panasonic’s recent cameras and I don’t find it as pleasing as I once did. It looks “waxy” to me. Canon has impressive options, but is expensive and I didn’t want to invest in a completely different system unless it offered substantial benefits over what I have. Plus the C50 doesn’t have IBIS which won’t work for my application. The Nikon ZR looks cool, but isn’t suited for this sort of work. It’s more a prosumer camera than a true workhorse like the aforementioned options. It lacks much of the customization options on the body that more pro level cameras have. Plus, I don’t like Nikon’s colors.
So after all the comparisons, the Sony Fx3 still came out on top for me. The biggest advantage it has over ALL the others, is low-light performance. Shooting doc work, you’ll often find yourself in less than ideal lighting scenarios, so it helps to have a camera that can still produce a clean image even with abnormally low lighting conditions. Add in the small form factor, the amount of buttons and dials I can customize, and I have a camera I can truly call my own. After changing most of the default settings, it actually feels like “my camera”. There are still some odd Sony design philosophy quirks that nag me, but overall I find it a pleasant system to use. It will remain my main camera for the duration of this documentary project. Once it’s completed maybe I’ll consider other options, but for now, it’s been bliss working with the FX3.
Long live this amazing little camera.
NEW DIRECTIONS
One of my earliest(and still favorite) beauty images. Fun and frustrating times that era was.
In 2026, I’m saying goodbye to both beauty and swimwear as genres I’m focused on. For those who wish to see that work, you can see it in the Archive menu in the site’s main navigation.
Why abandon beauty photography?
“But Jamiya, you’ve put so much work into it!” I know. However, unless it’s for a commercial client, I’m not interested in shooting beauty. It doesn’t inspire me. I could care less about makeup, hair looks, etc. None of it draws my attention anymore and it lacks the emotional depth and intrigue I can create with portrait photography.
Swimwear was really fun, but time to move on.
Why abandon swimwear photography?
There’s no money in it. It’s fun to shoot beautiful women in beautiful locations. But since the rise of social media, influencer culture, etc. there’s really not a lot of money to be earned shooting swimwear. Brands aren’t hiring photographers for it in droves like they used to. Instead they’re bringing much of it in house. Influencers/models are shooting themselves just to post quick pictures on their stories. And the photos are more than “good enough”. There are about 3-5 photographers I know of that make a decent living shooting swimwear alone. And half of them have to do other things like weddings(*shudder) alongside their swimwear work in order to earn well. So while fun, it’s not moving the needle forward for me in any significant way to warrant focusing on long-term.
Will I ever shoot those other genres again?
Sure! I certainly will if I have an idea or something inspires me. If I just want to go to Miami and shoot swimwear for fun, I’ll definitely do it. Or hit the streets of Tokyo for some street photography, I’m with it. Those genres just aren’t mainstays in my portfolio like they used to be. And I won’t market/promote myself as a photographer in those genres. I don’t want any potential clients getting confused about the style of work I generally offer. Anything outside of portraits and nudes is more of a special case and quoted accordingly.
Where is all this going?
Essentially I’m starting fresh and reinventing myself as an artist. I don’t think some of my older work still serves me, so instead of clinging on to successes of the past, it’s time to embrace the future and focus on the next chapter of my career. On the photography front, I now consider myself simply a portrait and fine art nude photographer. I’m focused on making striking, compelling portraits of people outside of the scope of just shooting with models/actors. I want writers, poets, politicians, musicians, philosophers, CEO’s, etc. This new focus allows me to hone my efforts and really refine my marketing going forward. It also frees up precious time to step more fully into filmmaking and make that a more extensive part of my repertoire.
I want my portfolio going forward to be: Portraits, Nudes, Film/Video.
Expect small changes to happen on the website over the next month as I make the transition. Archiving the old work was step one. Now it’s time to fill out my portfolio a bit with more recent work and make creative projects plans for the year.
Sigh, my job is never done.
LESS BLOGGING, MORE WORKING
I won’t be blogging as much this year. Instead my focus will be on working more, improving my style, and growing my business. Blogging isn’t a huge part of my business strategy. It’s more of a place for me to share announcements, thoughts on things, but with minimal engagement it’s not worth wasting useful hours writing posts. 15 years ago, blogging was all the rage. People would actually read, engage in comments sections, etc. But now? Across the web, you’ll see many photography blogs are ghost towns. Comment sections use to be full of insightful discussions, now there are only a handful of comments. The web has shifted more to social media and YouTube and even on those platforms, unless the focus is on gear, engagement isn’t what it once was. Such is the times ya know?
If you’re sensing a theme, I’ll spell it out: I‘m focusing my time on things that excite me and yield greater results for my business. If it takes up too much time, offers little return, and/or I don’t enjoy it, it’s out.
So I’ll still blog occasionally if you’re into that, just not as frequently. 1-2 per month seems sufficient. Maybe I’ll share more from my travels as well. We’ll see!
IN CLOSING
I feel it’s important for artists to take greater control over their careers. If you don’t want to do a certain type of work, don’t. Figure out another way. Don’t allow yourself to be pigeon-holed into a miserable existence working on stuff that doesn’t stir your soul. Life is far too short to be wasted on things that demotivate us. Seek out clients/customers who love what you do. Sure it may be more niche, perhaps come with less fanfare, but at least you’re being authentic to yourself. For years I’ve pondered stepping away from beauty in a more official capacity and now I’ve made it so. It feels a bit odd letting go of something you worked on for years, but I’m not one to linger on past successes. I’m seeking deeper, more enriching challenges that make me excited to photograph. In time it will make sense, for now I feel liberated.
Here’s to the new year! May it bring more happy and exciting moments for us all!
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Olivia Linz at Ape Studios in Barcelona II
Selection of black-and-white portrait images of model Olivia Linz taken at Ape Studios in Barcelona, Spain.
Model savant, Olivia Linz.
Another set of images from my shoot with model phenom Olivia Linz at Ape Studios in Barcelona.
This set is non-nude for you prudes out there.
I think I’ve really come to find my style as a portrait photographer. From composition to the tones used in my black-and-white work, I feel that my eye is becoming more refined and more easily identifies the elements I prefer to see in my images. And with a faster, more precise regularity. I no longer spend hours in post-production being indecisive about a look for a particular image. The decisions come quicker and in turn, I’m able to release work at a greater pace than in the past. Being indecisive was paralyzing me for a bit, I must admit. Here’s to being on the right track!
As for these images, what I love about them is how soft and feminine they are. Olivia brings this sort of delicate, graceful feel that softens the mood, making the images feel more personal or candid than overly posed, produced images. A more relaxed, candid feel is what I love to see in my portrait work, so I think we accomplished our mission here.
Closing thoughts at the end of this post. Hope you enjoy this set!
PHOTOGRAPHS
Model: Olivia Linz @oliivaa_linz
Studio: Ape Studios @apestudi0s
Location: Barcelona, Spain
ALL IMAGES SHOT ON THE SONY A7RV + SONY FE 85MM f/1.4 GM II AND SONY FE 28-70 f/2 GM LENS
IN CLOSING
The three images at the end are some of my favorites. I like images with dramatic highlights and shadows. Many portrait photographers prefer dim, overcast days with even lighting. Personally, I’ve always preferred sunny days for portraits as having the sun gives me a wider variety of looks I can achieve. I can place the subject directly facing the sun, or with the sun to their back for some cool backlighting effects. If I want a more overcast look, I can move them under an overhang so the light’s less harsh and more even. The sun also gives the images a punchier, snappier look that I prefer. We don’t run from the sun, we embrace it!
I was recently in Paris and Olivia and I got the opportunity to work together again. I’m excited to release images from that shoot as well as scenes from a video test we did. You really get a sense of who she is as a person and how talented of a model she is when you see her in motion. We just walked around Paris, hanging out and chatting, but the footage feels so full of life and excitement, you’d think you were watching a movie. Can’t wait to share those!
With that in mind, I’m fully committed to my direction into being a filmmaker. I turned 40 back in March, and that not only was a personal milestone, it gave me perspective on where I’d like my career to be in the next five years. By 45, I see myself as more of a hybrid artist, doing both photography and filmmaking in equal measure. I’ve given so much of my life to photography already, so going forward I’m shifting my focus to directing and writing for film projects. Shooting video content has definitely been frustrating at times, but it’s also been more exciting than creating photographs in many ways. It feels more accurate to the portrayal of life than the single still image, if that makes sense. But I adore photography and will never walk away from it. We’re just splitting our focus. Say 60% photography, 40% filmmaking.
Another thank you to Olivia, and all the models I’ve had the pleasure of shooting with this year. They’ve helped elevate my art to such a degree and now I feel ready to tackle even greater projects.
If I have seen further than others, it is by standing upon the shoulders of giants.
- Isaac Newton
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Rebirth of the Bird at L’Atelier & Beyond Studio in Paris
Selection of portraits of model Rebirth of the Bird taken at L’Atelier & Beyond Studio in Paris, France.
Claire
I’m headed to Paris tomorrow for probably the last time this year. So in honor of that, here are some portraits I did with model, Claire aka RebirthoftheBird. A brilliant model, Claire has one of the most intense gazes I’ve ever seen, drawing immediate comparisons to alluring actresses like Penelope Cruz or Eva Green. Her look could cut glass! Can’t wait to shoot with her again.
These were taken at my favorite studio in Paris, L’Atelier & Beyond. It was the first studio I’d worked in in Paris and it remains my favorite to this day. Not only for the space itself, but the friendly staff. I consider the owner, Karine, a good friend. She always takes care of me and rolls out the red carpet whenever I’m in town for shoots. It feels like “my space”, a space where I can create at my best. The light feels right and the rustic backgrounds are reminiscent of old Paris. We often talk about gear feeling right to use, but I’ll take that notion farther and apply it to places as well. There are just some places where I feel my creativity can flourish and this is one such space. Honorable mentions being the studios I frequent in Düsseldorf and Prague. Paris as a whole always leaves me feeling inspired. Walking the streets and visiting the places frequented by artistic legends from Picasso to Avedon or Dior to Saint Laurent, fills me with a zest for creating and enjoying the process I don’t get anywhere else.
Closing thoughts at the end of this post. Hope you enjoy this set!
PHOTOGRAPHS
Model: Rebirth of the Bird @rebirthof.thebird
Studio: L’Atelier & Beyond @latelierandbeyond_studio
Location: Paris, France
ALL IMAGES SHOT ON THE SONY A7RV + SONY FE 85MM f/1.4 GM II AND SONY FE 28-70 f/2 GM LENS
My favorite photo from this set. I told you, her look can cut glass. The intensity!
IN CLOSING
This set of images utilized a different approach to post-production than I’ve previously used. Usually I would edit the original in color then convert it to black-and-white in Capture One. However, I’ve found that Capture One alters the RAW image very differently than a .TIFF or .PSD file. Colors and/or tones don’t look the same. So I’m looking at my finished works and they don’t quite have the punch as my adjustments on the RAW files within Capture One.
To outline the old process: Global adjustments in Capture One > Export as a TIFF > Retouch in Photoshop > Bring final TIFF back into Capture One > Apply chosen Style of Preset > Export JPEG at various sizes for desired medium (e.g. social media, website, etc.)
The new process: Global adjustments in Capture One > Apply chosen style of preset > Export as a TIFF > Retouch in Photoshop > Bring final TIFF back into Capture One > Export JPEG at various sizes for desired medium (e.g. social media, website, etc.)
Below are two examples. The image on the left utilizes the old process, the image on the right uses the new process.
New process
Accurate color, contrast, and tones applied to the RAW file in Capture One.
Old process
Notice how faded it looks or the flatness of the white background?
The only downside is, I have to commit to a look. The old process would allow me to get both a black-and-white and color version of the same photo. This new method requires me to commit to one or the other. Or process both a black-and-white and color version which will have to be retouched independently. It’s more work, but yields a higher quality result overall. I’m still tinkering, but wanted to share my findings.
As for the shoot, it was a chill and fun vibe. I like my sessions to be low-stress affairs where people can come in, chat, chill, and create. This is not a high-pressure fashion campaign, but more of a personal, intimate setting which often results in portraits that feel relaxed and most importantly, authentic. As mentioned, I have more to come from this session, but hope you enjoyed these. Not every group of photos I post will be 15-20 image epics. Sometimes it’s just a handful. And sometimes, that’s enough.
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Musings: October 31, 2025
Cope and seethe edition.
Unattractive actress Sydney Sweeney at Variety’s Power of Women Event
INTRO
Happy Halloween! Can you believe Fall is already here? 2025 has gone by so quickly! It seems like yesterday I was just celebrating my birthday and now it’s Halloween! Crazy.
My apologies for the lack of posts these past months. I needed to shift focus for a bit as I prepare for a project. Sometimes it’s good to step away, focus on something in order to improve, then come back to something else. In this case, the blog. Don’t get me wrong, I love posting here. However, this is more of a therapeutic, creative outlet for me where I share my thoughts, plans, and other things I’m interested in. Money isn’t the motivator, so I write and post at my leisure. I also don’t want money to be the main incentive for writing on the blog as I don’t want to get roped into doing reviews and shilling camera products.
No, the blog will remain a platform for my thoughts and ideas. Sort of a look into my mind so maybe you’ll understand me better as an artist and to an extent, a person. I value authenticity and going against the grain. Let the others shill gear for camera companies, be overly PC, or not share they’re true feelings about a topic, we do things different over here.
On to this week’s musings!
IN THE DEFENSE OF BOMBSHELLS:
SYDNEY SWEENEY EDITION
Ugh, hideous.
Sydney Sweeney is one of the most brilliant actresses of this generation. Beautiful and talented. Ever the provocateur, from her American Eagle ad that stirred “controversy” earlier this year and now this silver sheer dress reminiscent of the draped fabrics used in the famous sculptures of Michelangelo. She knows how to turn heads and stay in the headlines in both a simultaneously subtle yet in your face way. It’s racy without overdoing it, sexy and unapologetic so. I particularly like how she makes a certain contingent of people seethe for committing the crime of being attractive and existing. For not listening to the haters or those jealous of her figure, refusing to shut herself away and act ashamed of who she is. For refusing to engage in politics and feed into the oh so tiring political discourse in modern day America.
For leaning into her sex appeal. And for understanding that men find her attractive and not being appalled at the thought. A refreshing sight in the west, where anything catered to men is seen as(what some odd looking liberal arts grad in New York may tell me), “Patriachy” “Misogyny”, “Sexist” or some other dismissive criticism lobbied at what they deem as the “male gaze”.
It’s an odd, contradictory time of supposedly sexually liberated and opened minded people who screech in disapproval when someone attractive is getting praise and attention. Especially when it’s a woman(in this particular case, a white woman - which they especially hate) eliciting attention from men. Because as we know, men aren’t allowed to like attractive women(and in turn women aren’t allowed to like men) anymore or have preferences. And yet, that seems to be the lifeblood of modern social media. Attractive women in grand locations, fancy restaurants, showcasing often form-fitting clothing sent by corporate sponsors, etc. What a contradiction to clamor for this sort of content but respond like a prudish nun whenever certain women garner attention from men.
When it comes to Sydney Sweeney, what are you so afraid of? Does she bring out your insecurities? Given how so many people act as evangelists regarding therapy, maybe you should see a therapist. That’s some pretty heavy baggage you’re dealing with there.
Sweeney is no different than other bombshells of the past from Marilyn Monroe, Sophia Loren, Jayne Mansfield, Angelina Jolie, Pam Grier, Farrah Fawcett, Pamela Anderson, Halle Berry, Vivica Fox, Kate Upton, Monica Belluci, Salma Hayek, Lea Seydoux, Eva Green, Scarlett Johansson, Sharon Stone, Denise Richards, Carmen Electra, Kim Kardashian, and the lists goes on. Women who embrace their looks and sexuality, flaunt it in a tongue and cheek sort of way, and have fun doing it. I like bombshells, sue me.
Her existence and this dress wouldn’t have been a problem in the 90s:
Rose McGowan’s dress at the 1998 MTV Video Music Awards
Or in the 2000s:
Jennifer Lopez’s dress at the 2000 Grammy Awards.
Or in the 2010s:
Rihanna’s dress at the 2014 CFDA Fashion Awards.
But today she’s basically representative of the third reich according to some unhinged types.
Oh no! It’s Nazi propaganda!
It’s lame. Stop hating. You look and sound jealous.
The girl’s hot. The dress is cool and she looks beautiful in it, like it was made for her.
She’s likely this generation’s Marilyn Monroe and I’d love to shoot with her someday.
I also think she should reach out to comic artist, J. Scott Campbell and talk to him about producing a Danger Girl live-action film. You know, one of those campy but sexy spy thrillers like Charlie’s Angels. She’d be perfect. And Hollywood could use a win.
Sydney Sweeney as Abbey Chase in Danger Girl?! I should work in casting.
Sydney have your people contact my people. Cool dress by the way!
RECENT PHOTOGRAPHS
Model: Emma Helena @riel.life
Studio: Studio Stadtwald @studiostadtwald
Location: Düsseldorf, Germany
ALL IMAGES SHOT ON THE SONY A7RV + SONY FE 28-70MM F/2 GM
A couple of new images featuring model Emma Helena. I took these in Düsseldorf months ago and they’re probably my favorite set all year. There are so many great options to choose from, it’s overwhelming. The more I learn about myself as an artist, the more I realize what visual elements I like to consistently see in my work. Balanced framing, pleasing composition, sharp lines, and emotive expressions. I feel I’m improving with each shoot, but now it’s more about defining “my work”. Who is Jamiya as an artist? After years of shooting beauty photography, then pivoting to portrait and nude work, I’ve really started to find myself.
Though I’ve enjoyed this exploratory journey, I also feel like it’s time to reach a destination. So my focus has been refining my style, testing different looks, all in hopes of getting to a place of contentment. I guess that’s folly as art is often a lifelong pursuit with constant learning and refinement, but I want to feel like, “This style is me.” if you get what I mean.
Hope you like these!
GEAR TALK
The New Sony FE 100mm f/2.8 Macro GM Lens
The Sony FE 100mm f/2.8 Macro GM Lens. Can’t wait for this lens to arrive.
Not much to report on the gear front. I’ve been using the same lenses for most of the year and have been more than happy with their performance. I squeal with glee every time I see shots from the 85mm f/1.4 GM II lens or how I rarely remove my 50-150 f/2 GM Lens(it does 95% of my work these days). The lenses are so good for what I do, I’m just free to focus on what I’m creating. But there’s one missing.
About a month ago, Sony unveiled the upcoming Sony FE 100mm f/2.8 Macro GM Lens. I used to favor the Sigma 105 f/2.8 DG DN Macro Art Lens(a great lens), but have since gone with a mostly all first-party lineup and sold all my third-party glass except one, the Tamron 20-40 f/2.8, which I use for vlogging. I do miss the Sigma macro lens, but now that Sony’s announced this, my kit can be complete. I finally have all the things! This lens will mainly be used for video, but will see occassional use on photoshoots.
It’s great to whip out a specialty lens from time to time to get something unique. The 100mm focal length is also a change as Sony’s premium Macro lens in the past has mainly been 90mm. I prefer 100mm+ for a general purpose macro lens. Or something longer like 150mm when shooting macro beauty images for example.
I’ll also be using this lens on my upcoming project. Which leads me to…
I’M MAKING A MOVIE
Hence the lack of updates on the blog over the past few months.
Begin November 22nd I’ll begin work on a documentary film I’ve been planning for about 4 months now. Since it will be my first project of this scale, it has required extensive planning, research, testing of various equipment, and there’s still loads to do ahead of the first day of filming. Unlike photoshoots, film productions have so many more layers to them. It’s vitally important to be as organized as possible as it’s easy to overlook a small detail that can make all the difference in the final product. So I’ve been giving the film my undivided attention.
I’ll share details when I’m able to speak more publicly about it, but for now I’m excited and can’t wait to begin filming. More things to come!
I NEED YOUR PHOTOGRAPHY QUESTIONS
As I’ve mentioned branching out into YouTube and having my own workshop eventually, I’m looking for questions from photographers regarding portrait photography. What are some of the things you would like to learn or know more about? Leave a comment below or shoot me a message on Instagram. I want to compile a fairly comprehensive list as I build the curriculum for the workshop and come up with topics for tutorial posts. Your contributions will be much appreciated!
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The 1X NEO Home Robot
New future just dropped. Tick, tock humans…
I have a lot of thoughts on the rise of A.I., robotics, etc. but for now I’ll simply say that over the next 10 years(barring some sort of global catastrophe - knock on wood), we will see some of the most dramatic and disruptive advances in technology. We’re already seeing it with software through leveraging A.I., next we’ll see it through robotics which will combine both advanced, A.I.-driven software with robust, articulate hardware.
The 1X NEO is the first of its kind for the consumer market. It’s a little silly looking but it could serve a crucial purpose in the homes of many. Think of elderly people who need a home attendant? Or someone who just needs a robot to keep their place tidy while they focus on taking care of their newborn child. Once this space becomes competitive with big companies launching their own versions with even more advanced tech and better software ecosystems, they’ll get better and better and better. In 10 years. Ten.
They will work for companies, deliver packages, provide security, and do jobs too dangerous for most people.
And yes, there will be companions. Or “sex bots” as they will be derisively described. Which will cause all sorts of backlash. A.I. companions are coming within a year, mark my word. Only a matter of time before people will want them in the physical form.
The film Subservience starring Megan Fox delves into this arena.
It all reminds me of the videogame, Detroit: Become Human. The social backlash and divide around the use of robots(or androids) and their implementation in modern society will be one of the tensest topics in the years to come.
The future is here and it doesn’t care if you like it or not. You can’t stop it.
Depending on your perspective, it’s either a scary time or an exciting one. I’m somewhere in the middle. I love the promise of it, yet dread how destructive it will be for social norms, job markets, etc. But I’m aware it’s nothing we can do to stop the progress of technology and more broadly, time. The people that road horses lamented the transition to cars. People who depending on the Yellow Pages dreaded the rise of the internet and having to have a website. Yet time and technology pushed forward. This will be no different. I think people are afraid as they sense deep down, this could actually replace them in a variety of ways.
Who wants to get excited about potentially being replaced?
I’ll monitor NEO’s progress with interest and see how the market responds, but I wouldn’t consider purchasing one until about 5 years in when the tech has matured.
What do you think? Will you be getting one someday?
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